Monday, August 29, 2016
4 pm Pacific/ 7 pm Eableismastern
For our second chat, Alice Wong and I will be joined by guest host Denarii Monroe, freelance writer, aspiring screenwriter, and activist.
All disabled writers are welcome to participate in the chat including reporters, essayists, poets, cartoonists, bloggers, freelancers, unpublished or published. We want to hear from all of you! Check the #CripLit hashtag on Twitter for announcements of future chats that will focus on different genres or topics.
How to Participate
Check out this explanation of how to participate in a chat by Ruti Regan: https://storify.com/RutiRegan/examplechat
If you don’t use Twitter and want to follow along in real-time, check out the live-stream: http://twubs.com/CripLit
#CripLit Tweets for 8/29 chat
Welcome to our second #CripLit chat! Created by @nicolaz, this chat will discuss ableism & the publishing industry
When we mention the publishing industry we include agents, editors, booksellers, publishers, etc.
If you respond to a question such as Q1, your tweet should follow this format: “A1 [your message] #CripLit”
Q1 Please introduce yourself, describe your background in writing, and any links about you & your work #CripLit
Q2 What made you want to become a writer? How did you start & what are some of the major issues you face now in your writing? #CripLit
Q3 How is the publishing industry ableist/racist/sexist/cis-normative (among others)? Share your thoughts and experiences. #CripLit
Q4 What barriers (physical, cultural, emotional) do you face as a disabled writer? #CripLit
Q5 Were you expecting the barriers you’ve encountered? What did you do? How did you feel? How did organisers respond? #CripLit
Q6 If you are a freelancer or are published, what is your advice to disabled writers who want to get their work out? #CripLit
Q7 In your interactions w/ the industry, how does ableism inform their ideas of what it takes to be a ‘professional’ writer? #CripLit
Q8 What’s your advice to other disabled writers on navigating and making connections w/ the publishing industry? #CripLit
Q9 In your opinion, how has ableism shaped the kinds of #CripLit published & authors that are promoted?
Q10 What messages do you want to send to those in the publishing industry (agents, book buyers, editors) about #CripLit & ableism?
Disability Art, Scholarship and Activism
Nicola Griffith (5/18/16)
Writing Culture Has An Ableism Problem
Denarii Monroe (6/14/16)
Dear Able Friends: I Am Not Your Inspiration Porn
Karrie Higgins (10/5/15)
4 Ways the Publishing Industry Promotes Ableism
Katherine Lampe (10/9/15)
Fat Writers: On Privilege, Ableism, and Humanity
Kristian Wilson (5/19/16)
Writing program association continues to debate access for members with disabilities
Josh Logue (3/28/16)
Denarii (rhymes with “canary”) is an aspiring screenwriter, freelance writer, and a weirdo born, raised, and based in New York. She’s a Rutgers University alum and a two-year Pace University dropout; she studied English and Adolescent Education, respectively. She’s written for BlogHer, Black Girl Dangerous, Everyday Feminism, Wear Your Voice Mag, Extra Crispy (a subsidiary of Time, Inc.), and is a regular contributor at Ravishly. You can follow her on Facebook and find her on Twitter and Instagram (@writersdelite). Selfies, pictures of her dog named Dog, the new addition to her family – a kitten named Cat, raving about Matthew Gray Gubler, and ranting (or retweeting) about the writing process and racist, ableist, classist, fat-antagonistic heteropatriachary. She loves Buffy the Vampire Slayer, as well as soul food, red wine, cooking and baking, and the blues. Hanson is her favorite band ever (yes, that Hanson).
Nicola Griffith is a native of Yorkshire, England, where she earned her beer money teaching women’s self-defence, fronting a band, and arm-wrestling in bars, before discovering writing and moving to the US. Her immigration case was a fight and ended up making new law: the State Department declared it to be “in the National Interest” for her to live and work in this country. This didn’t thrill the more conservative power-brokers, and she ended up on the front page of the Wall Street Journal, where her case was used as an example of the country’s declining moral standards. In 1993 a diagnosis of multiple sclerosis slowed her down a bit, and she concentrated on writing. Her novels are Ammonite (1993), Slow River (1995), The Blue Place (1998), Stay (2002), Always (2007) and Hild (2013). She is the co-editor of the BENDING THE LANDSCAPE series of original short fiction. Her multi-media memoir, And Now We Are Going to Have a Party: Liner Notes to a Writer’s Early Life, is a limited collector’s edition. Her essays and short fiction have appeared in an assortment of academic texts and a variety of journals, including Nature, New Scientist, Los Angeles Review of Books and Out. Among the awards she’s won are the Washington State Book Award, the Tiptree, Nebula, and World Fantasy Awards, the Premio Italia, and six Lambda Literary Awards. She is married to writer Kelley Eskridge and lives in Seattle.
Alice Wong is a San Francisco-based disability advocate, freelance journalist, television watcher, cat lover, and coffee drinker. Alice is the Founder and Project Coordinator for the Disability Visibility Project (DVP), a community partnership with StoryCorps and an online community dedicated to recording, amplifying, and sharing disability stories and culture. Currently she is a co-partner with Andrew Pulrang and Gregg Beratan for #CripTheVote, a non-partisan online campaign encouraging the political participation of people with disabilities. She is also a Staff Research Associate at the Department of Social and Behavioral Sciences, UCSF.