For our fifth #Criplit chat for disabled writers we’re trying a slightly different format. We’ve invited editors and staff from some of the leading disability-focused publications to come and chat for an hour about what they’re looking for—everything from style and format to length and tone. This is a chance for writers to learn about some of the venues that would welcome their work, and to ask their own questions of specific editors.
This is a great opportunity for disabled writers. I hope you’ll drop by and take part. Read on for more details.
#CripLit Twitter Chat: Editor Roundtable
Sunday, January 15, 2017, 4 pm Pacific/ 7 pm Eastern
Co-Hosts: Nicola Griffith @Nicolaz and Alice Wong @DisVisibility
Guests: Editors and staff from Autonomous Press, Barking Sycamores, Breath & Shadow, Deaf Poets Society, Intima, Monstering Magazine, Wordgathering, and more
Co-partners of #CripLit, novelist Nicola Griffith and Disability Visibility Project’s Alice Wong, are proud to host the fifth #CripLit Twitter chat for disabled writers.
This is the long-promised editor roundtable in which we talk to the staff and editors of some of the leading disability-focused publications. The format will be slightly different from previous chats. It is designed to get basic information from each of our editors that we think would be useful to writers, and to allow writers to then ask their own follow-up questions.
We will divide the hour into six segments. We have prepared a question for the editors to lead off each segment, which should provide some time for writers to ask their own follow-up questions. Editors will answer as many as they can. Editors may also have questions for writers. And writers may have questions or suggestions for each other.
All disabled writers are welcome to participate in the chat including (but not limited to) reporters, storytellers, essayists, poets, cartoonists, bloggers, freelancers, unpublished or published. We want to hear from all of you! Check the #CripLit hashtag on Twitter for announcements of future chats that will focus on different genres or topics.
How to Participate
Follow @nicolaz and @DisVisibility on Twitter.
Follow guest hosts: @monsteringmag @thedeafpoets @AutPress @BarkingSycamore @The_Intima @wordgathering @AbilityMaine
Use the hashtag #CripLit when you tweet. The questions will be timed several minutes apart. Note: this week’s questions are aimed specifically at the editors and staff of disability-related journals and magazines.
Check out this explanation of how to participate in a chat by Ruti Regan: https://storify.com/RutiRegan/examplechat
If you don’t use Twitter and want to follow along in real-time, check out the live-stream: http://twubs.com/CripLit
#CripLit Tweets for 1/15 chat
Welcome to our 5th #CripLit chat. This is the editor roundtable featuring staff & editors of some of the leading disability-focused pubs.
The format for this #CripLit chat: Our chat’s questions are for the editors & after they respond you all can ask them follow-up Qs
We want to give you all the chance to talk with editors directly with our questions as a way to start the convo #CripLit
If you respond to a question such as Q1, your tweet should follow this format: “A1 [your message] #CripLit”
Q1 Please introduce yourself and your publication, including any links to Submission Guidelines or other useful info. #CripLit
Q2 What is the mission of your journal? (Has that changed since the election?) Who are your readers? #CripLit
Q3 Describe your role with writers. How hands-on is your process? Do you give feedback on submissions? #CripLit
Q4 What do you pay your writers? What other rewards can a writer expect from publication in your journal: Peer recognition? More? #CripLit
Q5 What advice do you have for writers? Any actions or strategies you can suggest? #CripLit
Q6 How would you like to see publications by and for disabled people change? #CripLit
This concludes our 4th #CripLit chat! Please keep the convo going.
Be sure to tweet co-hosts @nicolaz @DisVisibility questions, comments, and ideas for the next #CripLit chat
Autonomous Press: Access First
Barking Sycamores: Neurodivergent literature and its craft
Breath and Shadow: A Journal of Disability Culture and Literature
Deaf Poets Society: an online journal of deaf and disabled literature & art
Monstering: Disabled Women and Nonbinary People Celebrating Monsterhood
The Intima: A Journal of Narrative Medicine
Wordgathering: A Journal of Disability Poetry and Literature
Nicola Griffith is a British novelist, now dual US/UK citizen. She was diagnosed with MS the same month her first novel Ammonite was published. Her other novels are Slow River, The Blue Place, Stay, Always and Hild. Her essays and short fiction have appeared in an assortment of academic texts and a variety of journals, including Nature, New Scientist, Los Angeles Review of Books and Out. Among other honours her work has won the Washington State Book Award, the Tiptree, Nebula, and World Fantasy Awards, the Premio Italia, and six Lambda Literary Awards. She is married to writer Kelley Eskridge and lives in Seattle where she emerges occasionally from work on her seventh novel to drink just the right amount of beer and take enormous delight in everything.
Alice Wong is a San Francisco-based disability advocate, freelance journalist, television watcher, cat lover, and coffee drinker. Alice is the Founder and Project Coordinator for the Disability Visibility Project (DVP), a community partnership with StoryCorps and an online community dedicated to recording, amplifying, and sharing disability stories and culture. Currently she is a co-partner with Andrew Pulrang and Gregg Beratan for #CripTheVote, a non-partisan online campaign encouraging the political participation of people with disabilities.
2 thoughts on “#CripLit: Editor Roundtable, Sunday 1/15, 7 pm Eastern”
Too bad the chat is at 1 AM where I live. :-/ Having written several published cripfic novels and short stories it sounds very interesting.
@Maija: I hear you! I really want to find a way to make this accessible in other parts of the world but I can’t find a time that works for all. I hope to do the editor roundtable again, though, and perhaps we’ll be able to do that at a different time. What is the latest/earliest you’re comfortable with?
Meanwhile, this chat will be Storifyed, so you’ll be able to read the whole thing just a few hours after we’re done. So perhaps by the time you wake up…
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