Writing from the Body

Art and the Body are huge subjects with all kinds of branches and nooks and crannies. In what follows I poke around in those topics that interest me—the philosophy of dualism, cyberspace as nirvana, the concept of genius, the religious right—and see which pieces connect along the way.

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Doing the Work

Aud is my commitment to excellence made flesh/word and walking around; she uses whatever it takes to get the job done. She is the tension between the joy and discipline that is my art (or craft or life or bane, depending) filed to a point and stabbed into the tabletop.

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The Language of Hild

Most of the Old English poetry I read was West Saxon. It’s round and rich—drumming like apples poured from a tub onto an elm table—and stirring: heroic, alliterative, elegiac. But I’m not sure how representative it is of Hild’s era. Apart from being the wrong dialect, it’s written rather than being oral, which means it came to us through the double filter of form and Latinised/Christian scribes.

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Palimpsest: Review of Why Be Happy When You Could Be Normal?

Jeanette Winterson’s memoir revisits the people and events familiar from her first and most famous work, the semi-autobiographical novel Oranges Are Not the Only Fruit. The two books cover similar ground, but they couldn’t be more different. The first part of Why Be Happy, twice as long as the second, is a scraped clean, rewritten, and embellished palimpsest of Oranges.

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