Image description: Book cover in matte black with the title “So Lucky,” and the author’s name “Nicola Griffith,” in big uppercase type rendered as burning paper. In smaller, brighter letters between title and author is, “A novel,” and, below the writer’s name, “Author of Hild” 


Farrar, Straus and Giroux (MCD x FSG Originals), 15 May 2018, 192 pp, US
Handheld Press (Handheld Modern), 22 November 2018, 192 pp, UK

“A compact, brutal story of losing power and creating community . . . So Lucky is beautifully written, with a flexible, efficient precision.” ― Amal El-Mohtar, The New York Times Book Review

A short, fast-paced whirlwind of a novel… Spine tingling and in places downright terrifying.” — Yas Necati, Independent

With great insight and power, Griffith chronicles one woman’s fight… [and] the plot twists into a sophisticated thriller.” — BBC Culture

“A psychological thriller, effective and chilling… A disconcerting but very necessary book.” — Dana Hansen, Chicago Review of Books

[D]isorienting, destabilizing, and game-changing. I have never read anything like it.” — Riva Lehrer, award-winning artist, and author of Golem Girl

Successfully disguised as a page-turning thriller, So Lucky is also a deep meditation on marginalization, vulnerability, and resistance.” — Karen Joy Fowler, author of We Are All Completely Beside Ourselves

Brutal, unsparing full of power and healing.” — Joanne Rixon, Seattle Times

[C]ompelling reading, a tour de force … It is intense, sad, and dramatic, combining mystery, romance, terror, and hope.” — Steven E. Brown, Co-Founder: Institute on Disability Culture, and author of Movie Stars and Sensuous Scars

So Lucky fires a gritty, scary, wrathful, sometimes blisteringly funny broadside at the monsters of ableist culture.” — Maria Dahvana Headley, author of The Mere Wife

So Lucky is somehow both a tense psychological thriller and a subtle character portrait… Nicola Griffith is an essential writer, and here she is at her most personal, political, and perfectly unputdownable.” — Robin Sloan, author of Sourdough

This angry, funny, cleverly-written piece … ushers in a new wave of disability story.”  — Susan Nussbaum, author of Good Kings, Bad Kings

Griffith’s lean, taut prose…transforms So Lucky into a story about what we all share: an unpredictable life filled with vulnerability and need for community.” — Kenny Fries, author of In the Province of the Gods

“This book is a body-slam of empowerment, a roar of frustration so sustained and compelling that it cannot be ignored […] a tough, accomplished novel, a book that readers didn’t know they needed.” — Katharine Coldiron, Arts Fuse

“The nuances of disability feel more real than anything I’ve read … It is real and raw. Griffith doesn’t pull any punches.” — Kim Sauder, Crippled Scholar

“It is a humane story, of bravery and coming to terms with the darkest parts of oneself.” — Martin McClellan, Seattle Review of Books

The brilliance of So Lucky lies in the seamless merging of genres.” David Perry, Pacific Stand

Searing…a fresh and powerful novel and antidote to the sense of victimhood.” ― Booklist

“So Lucky…bucks expectations, a tight page-turner… a chop to the throat.” — Evan Allgood, The Millions

“Despite the exhilarationGriffith’s tale is a verbal switchblade.” ―  Peter Wong, BeyondChron

From the Publisher:

Mara Tagarelli is on top of her world. She’s the head of a multimillion-dollar AIDS foundation, an accomplished martial artist, and happily married. Then, in the space of a week, her wife leaves her, she is diagnosed with multiple sclerosis, and she loses her job.

Mara has never met a problem she can’t solve—until suddenly she can’t solve any of them. Everything begins to feel like a threat. At first, she thinks it’s just her newfound sense of vulnerability. Then she realizes the threat of violence is real, deadly, and imminent.

But how do you defend yourself when you can’t trust your own body? How do you face down danger when others believe you are helpless, yet you know monsters are coming? This will be a fight unlike any Mara has faced before.

Nicola Griffith’s So Lucky is fiction from the front lines, incandescent and urgent, a narrative juggernaut that rips through sentiment to expose the savagery of the experience of being disabled and chronically ill in America. Yet So Lucky also blazes with the hope and authority of the life that becomes possible when we stop believing lies, find our strengths, and learn new ways to fight.

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