R/evolution in disability lit is accelerating
There are now two serious prizes for disability literature, and the pace of change is accelerating.
Read moreThere are now two serious prizes for disability literature, and the pace of change is accelerating.
Read moreIf you’re here because of my recent interview for theMSGuide.com, hello and welcome. I’m a novelist—this website and blog is mostly about my life and work; MS is often peripheral to my interests. If you’d rather just focus on MS then here’s a short resume of me, my interests in and thoughts on MS and disability.
Read moreDisabled people are the demographic most abused at home; the most murdered by caregivers; the most badly paid; the most discriminated against by employers; the most laughed at in public; the poorest; the most refused transport on buses, trains, and planes; and the most killed by law enforcement. We are 25% of the fucking population and I am DONE with being excluded from the DEI conversation.
Read moreNow that So Lucky has been out for two years, I’m revisiting the publishing process, and industry and reader response—and asking for your opinion.
Read moreThis is the essay version of the Ethel Louise Armstrong Lecture I gave last year at Ohio State University. It was first…
Read morePart of a critic’s job is to offer an expert, informed opinion of art. Keyword: informed. We need disabled critics to review disabled art.
Read moreIn CascadiaM/i> Sharma Shields has written a beautiful review essay about So Lucky. She really gets it. A nondisabled critic could not have written this.
Read moreThe Storify of the second #CripLit Twitter chat, on Ableism and the Publishing Industry is up. Here are my answers to the 10 questions formulated ahead of time.
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