A is for Abattoir: Five words for 2021 so far
For me and Kelley the first half of January has been a rollercoaster of events clustered around five different words.
Read moreFor me and Kelley the first half of January has been a rollercoaster of events clustered around five different words.
Read moreYou are invited to the ninth #CripLit Twitter chat co-hosted by novelist Nicola Griffith and Alice Wong of the Disability Visibility Project®. We want to talk about the experience of writing about and from being disabled. Please join us on 6 August, 4pm Pacific/7pm Eastern
Read moreThis is Part Five of the story of my doctorate—the who, why, when, what, and how of it—based on questions from readers on this blog, Facebook, and Twitter.
Read moreI’ll be teaching What Readers Like—And Why, a one-day workshop for Clarion West, on Sunday, 8 October, 10am-4pm.
Read moreThe Storify of Sunday’s #CripLit chat on YA/KidLit is up. That means we now have seven chats archived.
Read moreI’ve been off social media for nearly two weeks in order to write a novella, working title So Lucky. It is CripLit.
Read moreWe are writers. We must write. We must use hard and honest words. Not ‘alt-right’ but white supremacist. Not ‘religious exception’ but homophobic hate. Not ‘thoughtless’ but ableist. Call it what it is. A writer’s job is to tell her truth, loud and clear.
Read moreJust republishing this for future reference. First published in Literary Hub, August 23, 2016 Recently I have read several articles about disabled…
Read moreThe third #CripLit Twitter chat, on Disabled Writers, Diverse Literature, and Intersectionality, is scheduled for Wednesday, 12 October, 4 pm Pacific/7 pm Eastern.Co-hosts me and Alice Wong. Guest host Alaina Leary. You don’t want to miss this one!
Read moreIs there such a thing as an “essential self”? If so, can it be warped, encouraged, or destroyed? How far outside the moral and physical boundaries of that essential self would I we be willing to step in order to stay alive? And—if we stepped so far out that we became someone we did not recognise or like—would we still be us? I wrote Slow River to answer those questions.
Read moreI’m working on two big projects and am experimenting with workflow: timing, choices, priorities. Expect email delays.
Read moreI write for those who, when—in real life, or a book, or a song—they touch something that makes them shiver, don’t turn and run, but turn and follow.
Read moreAud is my commitment to excellence made flesh/word and walking around; she uses whatever it takes to get the job done. She is the tension between the joy and discipline that is my art (or craft or life or bane, depending) filed to a point and stabbed into the tabletop.
Read moreFrom: JaneIn the NYT today, I read a piece by Roger Cohen, quoting an Israeli author named Amos Oz. I thought you’d…
Read morePicture by Hay Kranen/ PD. The long tail is that of the demand curve of products versus sales. The best-sellers are all…
Read moreAn evening of this: Leads to noodling like this: And the begins of a decision. If you know my work worrying well,…
Read moreI taught a whole-day workshop* yesterday for twelve writing students. The topic was ‘exciting writing’. My aim was to pass along what…
Read moreThe first draft of part one is complete. Numbers, for those of you who like such things: pages 976 words 201,670 paragraphs…
Read moreDon’t be alarmed if my presence here is sporadic and eccentric in the next few days. I’m getting very, very close to…
Read moreStrictly-speaking, it was pre-Valentine dessert, a gift from our favourite neighbour, Vicki. Cherry tart, with handmade Cognac chocolate truffles. Pretty damn good…
Read moreI spent yesterday afternoon in the seventh century with a teenaged Hild who has just been spurned by her first love, who…
Read moreThe light is strange here this morning. Perhaps it’s just the time change, but the leaves of the trees just outside my…
Read moreIf researchers at Northumbria University are right, Noam Chomsky was wrong when he declared that everyone in a linguistic community shares the…
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